Karen Baker Landers knows that many people conceive of sound design and editing as technical—not creative—parts of the filmmaking process. But at its core, she argues, sound is about storytelling and ...

We call filmmakers “visionary” when they bring wondrous, strange or frightening worlds to life. But vision is just half the equation. To be truly immersive and transporting, a film or television show ...

From dialogue to music, the sounds you hear in movies are multilayered. More often than not, these sounds are brought together in postproduction to create an immersive aural experience that requires a ...

Dread Central: You have two films currently screening at the Fantasia Film Festival. 12 Hour Shift and You Cannot Kill David Arquette. Sound-wise, the two films seem very different. Can you talk about ...

Minkler likens his job to an orchestra conductor, only his notes are created from gunshots and battleships. Consider This: Conversations highlight film’s award-worthy productions through panel ...

How do aliens sound in an emotional, psychological, science fiction universe? This was one of many questions faced by French-Canadian sound editor Sylvain Bellemare in overseeing the development of a ...