Altered Scales Explained All 5 altered dominant scale patterns
Altered Scales Explained All 5 altered dominant scale patterns
Oct 5, 2021
soundguitarlessons.com
Locrian is the weird kid in school..🙋 Locrian Mode, the 7th mode of a Major Scale: R m2 m3 P4 D5 m6 m7 8 It’s the first scale we learn with a Diminish 5. Which allows us to navigate a very unique kind of chord. The m7(b5), also known as as half-diminished, chord. We see this chord often in jazz standards. And even though there are other possible scales, for right now, the Locrian will be our main option to navigate these chords. Let’s see an example: Key of C Cmaj7 | Fm7 | Em7(b5) | A7 For thes
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Locrian is the weird kid in school..🙋 Locrian Mode, the 7th mode of a M…
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How to Use the Harmonic Minor Scale Over Dominant 7 And Diminished 7 Chords In this video, I dive deep into the harmonic minor scale and its crucial role in Gospel piano. I demonstrate how to apply harmonic minor runs over dominant 7 chords and diminished chords, unlocking rich, soulful voicings. I also break down Phrygian dominant mode, Super Locrian mode, and secondary dominants in Gospel progressions. Mastering these concepts will elevate your chord substitutions, passing chords, and improvis
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FacebookPiano lesson With Warren
In this tutorial, you will learn all the neat tips and tricks on how to instantly improve your improvisation with scales like; the Blues scale, Pentatonic, Medieval Church Modes, Phrygian Dominant scale, The Altered Scale, Whole-tone scale, and Super-Locrian scale – Just to name a few. When improvising, your “licks,” “runs,” and “lines” are all derived from scales. Therefore it is essential that you’re familiar with these scales and the method of how to apply them to chord progressions using eas
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Playing over these chords 👇 Bm7b5 | E7(b9) | Am7 | % We call this progression a “Minor II V I”. And it’s a very good chance to experiment with some “alternate” scales. For Bm7b5 (also known as half diminished) I play around the Locrian Scale and the Locrian natural 9 scale. The E7b9 I keep it simple with the Mixolydian b9,b13 scale, but could have used a couple more things I chose not to. And lastly, on the Am7, I play around the Dorian and the Harmonic Minor. Want to learn more about these sca
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Playing over these chords 👇 Bm7b5 | E7(b9) | Am7 | % We call this progr…
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FacebookMarcelo Maccagnan
Master The Altered Scale on Dominant Chords • Jazzadvice
Master The Altered Scale on Dominant Chords • Jazzadvice
Jul 17, 2010
jazzadvice.com
Beyond Blues: Altered-Scale Secrets
Beyond Blues: Altered-Scale Secrets
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premierguitar.com
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